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The year 2000 was one of the most spiritual and illuminating
years of my life. It was a year that left me pondering about
a very serious question, to which I have yet to find an answer,
and perhaps I never will. Why are we capable of so much love,
and so much hate?
At the
beginning of March, I went to the beautiful city of Antigua,
Guatemala to present a paper at the VIII International Congress
of Central American Literature. Antigua is a city surrounded
by volcanoes, and under the constant threat of earthquakes.
It is also a city where the Spaniards established one of the
oldest universities of the New World, the Universidad de San
Carlos de Guatemala. Antigua exemplifies the constant struggle
between man and nature. Here man has built and rebuilt churches,
monasteries, colonial palaces and cathedrals only to see them
crumble time after time. It seems as if Mother Earth does
not want to hold them up.
From Antigua
we flew to the Mayan ruins of Tikal, where I was able to touch
the sculpture of Chac Mool, the God of Rain, and the inspiration
for Carlos Fuentes' well known short story. The visit reminded
me, once more, of how little we know about the pre colonial
cultures of the Americas. I rediscovered during this visit
that their level of sophistication is comparable to that of
classical western cultures.
"Here
man has built and rebuilt churches, monasteries,
colonial palaces and cathedrals only to see
them crumble time after time. It seems as if
Mother Earth does not want to hold them up."
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After
the Conference, I was invited, by a group of Central American
writers, to visit Lake Atitlan. On the way to the lake, a
member of the group suggested that we stop at a small Mayan
archeological sight. As we were exploring the sight, I noticed
smoke coming from the top of the hill. We walked to the spot
where a group of indigenous people were gathered by a tree,
on their knees, with flowers and candles by them. I tried
to speak to them, but they did not understand Spanish. Someone
told me that it was a sacred place, and that the tree was
their altar. I asked if I could touch the tree, and they allowed
me. As I touched the altar, I was overcome by emotion; I could
not stop crying. They surrounded me, held my hands, and began
to say words that I could not understand, but made me feel
at peace. I cannot explain why I felt as I did, but I know
that I participated in a very special ceremony that day, and
that I was in a very special place.
Two weeks later I went to San Antonio, Texas, for the LDEEU
Conference. At this conference I chaired a session, and read
a paper entitled "A Mythic Place Called Tenerife in the
Poetry of Ana María Fagundo." This poet from the
Canary Islands is considered to be one of the most important
female voices in Spain today. Much has been written about
her works, and when I started my research, I did not think
that I would be able to add anything new to the already rich
criticism about her. My paper, which will be published in
the Conference Proceedings, explores how Fagundo's poetry
is a search for the human essence and human origin. Through
her verse, the poet attempts to comprehend the universe. As
a "standing island", she presents an individual's
determination to claim his own space in the eternity of time.
Fagundo's place is her native island, Tenerife, with the Teide
as her cosmic mountain, the center of her universe.
In June,
I attended the XXXIII Congress of the International Institute
of Iberian-American Literature, at the University of Salamanca,
Spain. The paper which I presented here, "Meeting of
Characters to Challenge Their Destiny" studies a novel
by one of the greatest Mexican writers, Elena Garro, which
will be published by Revista Iberoamericana (if I ever decide
on the right conclusion). The highlight of the conference
was not my paper, but really seeing, for the first time, the
university where the conference was held. During one of my
breaks I walked to the Aula where Fray Luis de Leon used to
lecture almost five hundred years ago. I sat in that aula
to think, to meditate, hoping that I would be able to create
at least one verse that could contain the beauty of his poetry.
When I attended a lecture given in the same room where Miguel
de Unamuno used to teach, my mind wandered, trying to comprehend
the man that had such a tragic sense of life.
In July I attended the Fiftieth International Congress of
Americanistas in Warsaw, Poland. This is one of the largest
conferences in Latin American Studies in the world. I was
the coordinator for Central America, and read a paper entitled,
"The Thematic Diversity in the Works of Central American
Woman Writers".
The Congress
in Poland was very revealing to me. I did not know how important
Latin American Studies are all over the world. There were
researchers from the four corners of the planet, from Australia
to Israel, from Argentina to Canada, from South Africa to
the Scandinavian countries. For an entire week, Warsaw became
the stage for a Latin Fiesta. Each day there were performances
from different countries in the central square, the restaurants
offered Spanish specialties, and I even heard a girl singing
"Cielito Lindo" in Polish.
As I said at the beginning, this was a very special year,
a year of revelations. Even in Warsaw I saw human duality
as I explored the city. A few blocks from the Fiesta, where
people where dancing the cumbia and the merengue, there was
a monument in honor of those that took the trains to the gas
chambers during World War II.
After
visiting the Jewish Cemetery, where the tombs meet the horizon,
we went back to the hotel, changed, and went to continue with
our fiesta. For some reason, I feel like I made a full circle,
and this moment in Poland took me back to the beginning, to
the Mayan altar in Guatemala.
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